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Floating Lines

Exhibition of sculptures and surfaces made by describing the path of a CNC machine rather than the object, shown at the Anne Kittrell Art Gallery, University of Arkansas.

2014-01-21

Venue
Anne Kittrell Art Gallery, Arkansas Union, University of Arkansas, Fayetteville, AR
Dates
2014-01-21 – 2014-02-14
Curator
Edmund Harriss

Floating Lines gathered sculptures and surfaces made by an interdisciplinary group of students from mathematics, computer science, architecture, and philosophy. The work began from a single shift in viewpoint: instead of describing the object you want and asking software to reach it, you describe the line the machine itself will follow.

Thinking about the line rather than the object lets a designer hold together two kinds of mark: what the human hand can achieve and the complexity a machine can interpret. The pieces shown ranged from contoured Voronoi panels to flowing end-grain surfaces and routed spirals.

A CNC-routed oval wooden dish with radiating ridges and a field of drilled holes, raised on a stand above a raw live-edge wood slab at the exhibition
A routed oval dish raised on a live-edge slab: ridges and drilled holes follow the path of the cutter rather than a described surface.

The exhibition ran at the Anne Kittrell Art Gallery on the fourth floor of the Arkansas Union, January 21 to February 14, 2014, with a reception on January 22. It is an early thread of the wider Technology Craft work on controlling the machine rather than its output.

Two visitors at the opening reception examining framed line-pattern prints on coloured panels, one holding a small routed wooden disc with radiating lines
At the opening reception, line-pattern prints alongside a small routed disc that materialises the same lines in wood.

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